A cultural interpretation of the South Korean Independent by Nohchool Park

By Nohchool Park

A Cultural Interpretation of the South Korean self sufficient Cinema circulation, 1975-2004 examines the foundation and improvement of the autonomous cinema stream in South Korea. The self sustaining cinema flow refers back to the movies, movie theories, film-related cultural actions that emerged on the way to record social realities, to suggest the liberty of inventive expression, and to symbolize the voices of marginalized social identities. My dissertation is the 1st try in English movie scholarship on Korean cinema to discover the historical past of non-commercial filmmaking performed within the identify of cinema stream from Seventies to 2000s. the first assets of research for this examine contain movies, books, and archive fabrics. The hitherto unpublished thoughts and historic info bought from the direct interviews with the autonomous filmmakers upload originality to this dissertation. Investigating the self reliant cinema move deals new views at the cultural learn of nationwide cinema move and the prevailing scholarship of South Korean cinema. This dissertation questions the dominant historiography relating to South Korean cinema which facilities at the Nineteen Sixties because the `golden age' of South Korean cinema and the Nineteen Nineties as its renaissance. This place has a tendency to push aside the intervening a long time of the Seventies and eighty because the `dark age' of the nationwide cinema. Defying the normal view, this examine exhibits the presence of the hot new release of filmmakers and younger cinephiles who introduced a sequence of recent cinema activities from the Seventies onward. during this regard, the Seventies might be reinterpreted because the interval that marked the genesis of the hot wave cognizance within the background of South Korean cinema. moment, this research analyzes the background of the self sustaining cinema circulation as a dialogic procedure among family cultural discourse and international movie theories. The filmmakers who initiated the self sustaining cinema move drew on Euro-American artwork cinemas, New Latin American Cinema, and the feminist movies from the West to include them into the family cultural context, generating the hot suggestions corresponding to the Small movie, the People's Cinema and the woman's movie. This truth demanding situations the nationwide cinema discourse which presupposes that the historical past of South Korean cinema is confirmed in the closed circuit of the nationwide heritage and standard aesthetics. My dissertation is helping create an alternate point of view through which to work out the development of nationwide cinema as essentially an interplay among indigenous renowned discourses and overseas movie new waves. eventually, this dissertation takes into account the energetic roles of the self sustaining filmmakers. It examines the flicks and manuscripts produced by way of the filmmakers to work out how they invented and elaborated their positions approximately cinema flow within the given cultural box in every one interval. It can pay consciousness to the cultural box the place the filmmakers are conditioned among what they desired to visualize and what's externally granted. Viewing a longtime cultural box as a hegemonic building, this research additionally investigates the best way transformation happens from one cultural box to a different.

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Extra info for A cultural interpretation of the South Korean Independent Cinema Movement, 1975-2004

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It propagated melodrama and action films that catered to the carnal desires of mass audiences. Apart from these two major genres, film production companies also capitalized on literary films (munye y nghwa), cinematic adaptations of established literary works. This seemingly artistic creation was also largely designed to meet the demands of the quality film system, which functioned as the route to the acquisition of the foreign film importation quota. Therefore, commercial in nature, even literary films were not different from other genre conventions.

Given that discourse 16 which shapes how the minjung discourse refers to the world view that sees the history, culture, and politics of Korea in the interest of minjung. Certainly, the original producer of the minjung discourse should be the people themselves. In reality, however, it is intellectuals who created and enriched the discourse through such activities as history writing, literary creation, and cultural movements. This fact suggests that the intellectuals constructed the minjung discourse as a counter-cultural paradigm by which to resist governing ideologies such as militarism and industrialism.

The Minjung Discourse and Its Applications in Youth Culture The term minjung normally indicates the social stratum made up of the lower classes such - 8 Yet this term has been charged with additional political meanings since the industrialization drive set in motion in the early 1960s in South Korea. On the one hand, minjung bears in it the hardships that the lower classes had to endure to survive the political oppression and economic inequality in the course of the industrialization period. On the other hand, it also connotes latent energy of the commoners, which resists tyranny and brings in democratic reform at the end.

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